K27
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Projects
About
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műLABOR

2010
Project

(Gergely Donka, Péter Ádám Gurszky, Katalin H. Horváth,
Zoltán Huszti, Réka Mózes, Márk Radics)
/Recent project/
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CLOTHES FOR ARTIST
2010
Project
(Réka Mózes, Márk Radics)
/Recent project/
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Collection of special clothes under the brand CLOTHES FOR ARTIST™.
We reconstuct and carry out legendary,
slowly fading garments of various artists based upon the findings of art history.
Also we invent clothing for artist wich are basiclally antifunctional artist-costumes
together with non-atist artists' artist-clothes for non-artist artist.

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SPANGLEDEATH
2010
20 pieces, limited edition
S/M/L
T-shirt, spangle
100%cotton
(Márk Radics, Gergely Donka /// Réka Mózes)
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XVIEWPOINTS
2010
Installation
(Katalin H. Horváth /// Márk Radics, Péter Ádám Gurszky)
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The Machine reflects the problem of identity.
The subjective theory of the self-definition and self-image meets the objective process
of being watched and analyzed. With a simple physical reaction-action
it can be switched to another entity's consistent, recorded status.

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thermo

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THERMO-PHOTO-SPITTER-PHOTO, 1ST IMAGE STREAM
2010
320cm × 11cm
(Réka Mózes / Péter Ádám Gurszky / Márk Radics
with Zoltan Huszti - Chatolic Missionary-Seer-Image Seer
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L'OEIL COMPOSÉ
2010
Real-time image steram based interactive installation.
(Réka Mózes / Péter Ádám Gurszky / Márk Radics)
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A
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Selfsdefinition
2010
4
:3 PAL 480pix × 272pix .mpg video in Digital Photo Frame
5 min.
(Réka Mózes / Péter Ádám Gurszky / Márk Radics)

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Photo: © Tamás Egry
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ECO SUIT
2009
Suit made from plastic bag
Photographer: Tamás Egry
Model: Gergely Eörtzen Nagy
(Márk Radics /// Réka Mózes / Péter Ádám Gurszky)
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VIDEO CORDON
2009
installation planning
video recorder, camera, microphon, speaker, TV, tape
(Réka Mózes / Péter Ádám Gurszky / Márk Radics)
/Recent project/
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ZREVNI
2009
Interactive exhibition project
(Márk Radics, Katalin H. Horváth /// Réka Mózes, Péter Ádám Gurszky with others)
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CHAOS INSTRUMENT
2009
Interactive instrument planning
built from analog sound devices and other equipments
(Márk Radics /// Péter Ádám Gurszky)
/Recent project/

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SELF-PORTRAIT POSTED TO ONESELF
2009
Instant photo made of oneself (Polaroid, FujiFilm instax)
Before developing, addressed, stamped and posted (with a sticker).
(Márk Radics /// Réka Mózes, Péter Ádám Gurszky)
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PERSONAL DROPOUT RECORDER
2009
eye blinking controlled sensory organ-expansion
(Márk Radics /// Péter Ádám Gurszky)
/Recent project/

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4example
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4EXAMPLE
2009
Visual aids on misunderstandings with educational purpose
electric, kinetic, interactive, network-based /Under process/
(Réka Mózes / Péter Ádám Gurszky / Márk Radics)
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In the field of technophile art plenty of art objects can be found,
which are supposed to integrate and belong to such categories they have nothing to do with.
This originates principally from ignorance and unpreparedness,
for the resolution of which this series of objects attempts to provide an example.
(If real misunderstandings are applied as direct examples instead of ones
created to demonstrate misunderstandings, they can spread confusion and further misunderstandings!)

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CUBEin project
2008/2009
Controlled, interactive building-sclupture.
(Márk Radics /// Réka Mózes / Péter Ádám Gurszky with Katalin Tóth, student of architecture)
/Under process/
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k27_pecset
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RGB STAMPS FOR AUTHENTICATION
2008
Wood, rubber
Height: 40mm
(Réka Mózes / Péter Ádám Gurszky / Márk Radics)
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OCTOPUS
2008
Interactive audio-visual installation planning
built from analog screening and sound devices
(Réka Mózes / Péter Ádám Gurszky / Márk Radics)
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DICK HIGGINS'S FIVE WIVES
2008
16:9 PAL DV video, greenbox, DVD with menu
3 min. 33 sec
(Réka Mózes / Péter Ádám Gurszky / Márk Radics)
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The DVD, based on digital green box technique, with special space-time structure,
features artistic process as a topic, where the menu and the packaging is also part of the work of art.

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WORNOUT CHANNEL
2007/2008
4:3 PAL SVHS, bluebox, 4 chanels video installation
3 min. loop
(Mark Radics /// Réka Mózes / Péter Ádám Gurszky)
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Umbrella fashion show, based on analogue blue box video technique.
While the spontaneously moving character was first recorded at eight different periods of time,
finally she appears in the same place at the same time in the actual video.
The loss of information as image destruction, wing to the wear of the tape while copying,
creates a peculiar visual world.

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All images copyright the k27.
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